{"id":205,"date":"1994-06-07T19:00:54","date_gmt":"1994-06-07T19:00:54","guid":{"rendered":"https:\/\/ninahorvat.net\/?p=205"},"modified":"2017-04-29T12:20:06","modified_gmt":"2017-04-29T12:20:06","slug":"bez-naziva-galerija-nona-multimedijski-zenski-centar","status":"publish","type":"post","link":"https:\/\/ninahorvat.net\/index.php\/1994\/06\/07\/bez-naziva-galerija-nona-multimedijski-zenski-centar\/","title":{"rendered":"&#8220;bez naziva&#8221;, galerija nona, multimedijski \u017eenski centar, zagreb"},"content":{"rendered":"<p><a href=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-8.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-262\" src=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-8.jpg\" alt=\"\" width=\"1200\" height=\"1194\" srcset=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-8.jpg 1200w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-8-150x150.jpg 150w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-8-300x300.jpg 300w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-8-768x764.jpg 768w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-8-1024x1019.jpg 1024w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-8-320x318.jpg 320w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a>U odnosu na predhodni ciklus slika, gdje je bila zaokupljena jednim enformelno slikanim znakom i njegovim mjenama, u najnovijoj grupi slika nastalih tokom 1992\/93, Nina Horvat prebacuje interes na sam oblik slike. Format nije vi\u0161e uniformni okvir za zbivanje unutar njega, on je pokrenut i uklju\u010den u igru. &#8230; A takav iskrivljenm nestabilan kadar, ne slijedi razvoj formi unutar slike, pa izgleda sasvim slu\u010dajan, tj. ono \u0161to se vidi unutar slike djeluje tek kao dio, detalj naslu\u010duju\u0107ega procesa&#8230; Posljedica ovakvog kadriranja je nestabilno polje doga\u0111anja u kojem nema znaka. Postoje samo dvije vrijednosti, uglavnom crnog i bijelog, koje se ne formiraju u znakove, tako da ne poprimaju dodatno zna\u010denje, nego su svedene samo na osnovni kontrast, na spoj suprotnosti. I to \u2013 me\u0111usobno aktivnih suprotnosti. Ali i takvi odnosi crnog i bijelog doprinose pomicanju iz stanja ravnote\u017ee: ve\u0107a koli\u010dina crne \u201ete\u0161ke\u201c boje pri vrhu slike umjesto na dnu, velika ploha bijelog prema maloj crnoj. Nesrazmjer odnosa i nestabilnost okvira izaziva napetost, dojam nasumice zaustavljenog trenutka, sekvence ne\u010dega \u0161to se kre\u0107e, krhotine kaosa. To je osje\u0107aj \u010dovjeka kome se tlo pomi\u010de pod nogama, kome se ubrzano mijenja svijet u kojem \u017eivi. Osje\u0107aj posljednjih nekoliko godina sveprisutan, \u010dak ve\u0107 uobi\u010dajen. A gesta, \u010disti trag osobnosti, nagla\u0161ena na ovim slikama, zna\u010di potvr\u0111ivanje osobne prisutnosti, zna\u010di: ja to pro\u017eivljavam. (Evelina Turkovi\u0107)<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-211\" src=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/ninahorvat-nona-1.jpg\" alt=\"\" width=\"875\" height=\"1000\" srcset=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/ninahorvat-nona-1.jpg 875w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/ninahorvat-nona-1-263x300.jpg 263w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/ninahorvat-nona-1-768x878.jpg 768w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/ninahorvat-nona-1-320x366.jpg 320w\" sizes=\"(max-width: 875px) 100vw, 875px\" \/><\/p>\n<p><a href=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-5.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-259\" src=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-5.jpg\" alt=\"\" width=\"922\" height=\"1255\" srcset=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-5.jpg 922w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-5-220x300.jpg 220w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-5-768x1045.jpg 768w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-5-752x1024.jpg 752w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-5-320x436.jpg 320w\" sizes=\"(max-width: 922px) 100vw, 922px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-7.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-261\" src=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-7.jpg\" alt=\"\" width=\"998\" height=\"663\" srcset=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-7.jpg 998w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-7-300x199.jpg 300w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-7-768x510.jpg 768w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-7-320x213.jpg 320w\" sizes=\"(max-width: 998px) 100vw, 998px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-6.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-260\" src=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-6.jpg\" alt=\"\" width=\"1000\" height=\"642\" srcset=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-6.jpg 1000w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-6-300x193.jpg 300w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-6-768x493.jpg 768w, https:\/\/ninahorvat.net\/wp-content\/uploads\/1994\/06\/1994-nona-6-320x205.jpg 320w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>U odnosu na predhodni ciklus slika, gdje je bila zaokupljena jednim enformelno slikanim znakom i njegovim mjenama, u najnovijoj grupi slika nastalih tokom 1992\/93, Nina Horvat prebacuje interes na sam oblik slike. Format nije vi\u0161e uniformni okvir za zbivanje unutar njega, on je pokrenut i uklju\u010den u igru. &#8230; A takav iskrivljenm nestabilan kadar, ne&#8230;<\/p>\n<p><a class=\"more\" href=\"https:\/\/ninahorvat.net\/index.php\/1994\/06\/07\/bez-naziva-galerija-nona-multimedijski-zenski-centar\/\"> \u010ditaj vi\u0161e &rsaquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":262,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,10],"tags":[],"_links":{"self":[{"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/posts\/205"}],"collection":[{"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/comments?post=205"}],"version-history":[{"count":6,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/posts\/205\/revisions"}],"predecessor-version":[{"id":281,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/posts\/205\/revisions\/281"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/media\/262"}],"wp:attachment":[{"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/media?parent=205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/categories?post=205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/tags?post=205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}