{"id":191,"date":"2016-12-31T23:30:38","date_gmt":"2016-12-31T23:30:38","guid":{"rendered":"https:\/\/ninahorvat.net\/?p=191"},"modified":"2017-04-29T12:57:40","modified_gmt":"2017-04-29T12:57:40","slug":"straaah-slika-od-zvuka","status":"publish","type":"post","link":"https:\/\/ninahorvat.net\/index.php\/2016\/12\/31\/straaah-slika-od-zvuka\/","title":{"rendered":"&#8220;straaah&#8221;, slika od zvuka"},"content":{"rendered":"<p><a href=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/2016\/12\/188874_c7ab87138db1f1c11de9.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-295\" src=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/2016\/12\/188874_c7ab87138db1f1c11de9.jpg\" alt=\"\" width=\"800\" height=\"400\" srcset=\"https:\/\/ninahorvat.net\/wp-content\/uploads\/2016\/12\/188874_c7ab87138db1f1c11de9.jpg 800w, https:\/\/ninahorvat.net\/wp-content\/uploads\/2016\/12\/188874_c7ab87138db1f1c11de9-300x150.jpg 300w, https:\/\/ninahorvat.net\/wp-content\/uploads\/2016\/12\/188874_c7ab87138db1f1c11de9-768x384.jpg 768w, https:\/\/ninahorvat.net\/wp-content\/uploads\/2016\/12\/188874_c7ab87138db1f1c11de9-320x160.jpg 320w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/soundcloud.com\/user-782085957\/straaah&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" width=\"100%\" height=\"auto\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>Audio rad Nine Horvat u prvoj svojoj varijanti bio je izveden kao ambijentalna audio video instalacija u Galeriji A\u017d Ateljea \u017ditnjak 2015. godine. Tonski suradnik bio joj je tada Petar Vuja\u010di\u0107. Zamislila ga je, kako obja\u0161njava autorica, kada je posjetila otvorenje jedne izlo\u017ebe nakon \u0161to je pogledala odli\u010dnu horor operu na zagreba\u010dkom Muzi\u010dkom biennalu. Zami\u0161ljaju\u0107i tada ambijent ispunjen, kako ka\u017ee, \u00abstra\u0161ljivim zvukovima\u00bb, inspirirao ju je prostor koji je bio star, pomalo mra\u010dan, pun atmosfere&#8230; Audio kompozicija koju je pripremila za <i>Sliku od zvuka<\/i>, nastala je kao nastavak tog ambijenta. No, zvuk sada nije shva\u0107en kao prostorna pojava, nego su po\u010detni zvukovi oblikovani tako da tvore novu, skoro glazbenu kompoziciju, razli\u010dite slo\u017eenosti, strukture, dramatskog u\u010dinka&#8230; U suradnji s na\u0161im ton majstorom Tomislavom \u0160amecom, po\u010detne jednostavne zvukove, koje uglavnom izvodi sama i koji su ve\u0107im dijelom snimljeni priru\u010dnim sredstvima, autorica je oblikovala u \u00abstra\u0161ljivu kompoziciju\u00bb u sedam stavaka koja \u0107e zapravo, nadamo se, imati i ne\u0161to &#8216;lak\u0161i&#8217; i veseliji u\u010dinak. (<em>Evelina Turkovi\u0107<\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Audio rad Nine Horvat u prvoj svojoj varijanti bio je izveden kao ambijentalna audio video instalacija u Galeriji A\u017d Ateljea \u017ditnjak 2015. godine. Tonski suradnik bio joj je tada Petar Vuja\u010di\u0107. Zamislila ga je, kako obja\u0161njava autorica, kada je posjetila otvorenje jedne izlo\u017ebe nakon \u0161to je pogledala odli\u010dnu horor operu na zagreba\u010dkom Muzi\u010dkom biennalu. Zami\u0161ljaju\u0107i&#8230;<\/p>\n<p><a class=\"more\" href=\"https:\/\/ninahorvat.net\/index.php\/2016\/12\/31\/straaah-slika-od-zvuka\/\"> \u010ditaj vi\u0161e &rsaquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":295,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/posts\/191"}],"collection":[{"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/comments?post=191"}],"version-history":[{"count":4,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/posts\/191\/revisions"}],"predecessor-version":[{"id":308,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/posts\/191\/revisions\/308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/media\/295"}],"wp:attachment":[{"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/media?parent=191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/categories?post=191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ninahorvat.net\/index.php\/wp-json\/wp\/v2\/tags?post=191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}